Published on
12:19 GMT
A Single Man review – homoerotic tennis enlivens ballet version of Isherwood’s classic
It makes total sense for choreographer-director Jonathan Watkins to turn George, the central figure of Christopher Isherwood’s 1964 novel A Single Man, into a double person. Isherwood’s point of departure is the profound sense of dissociation induced by …
Source:
The Guardian
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Center-left
